|
1
|
|
|
2
|
- Imagine that you are eating popcorn. What mental images come to mind?
- Where are you?
- What senses do you associate with the memory: smell, taste, touch, see,
feel?
- What emotions do you relive?
|
|
3
|
- “When sensory images form in a child’s mind as he reads, it
is an ongoing creative act.
- Pictures, smells, tastes,
and feelings burst forth and his mind organizes them to help the story
make sense.
- It is this ongoing creation
of sensory images that keeps children hooked on reading.” (Zimmerman,
Hutchins)
|
|
4
|
- “The more
students use both systems of representation:
- linguistic and
nonlinguistic,
the better they are able to think about and recall what
they’ve read.”
-
(Muehlherr, Sieman)
|
|
5
|
- Correlates highly with overall comprehension.
- Understanding, attending to, and developing a personal awareness of the
sensory and emotional images that arise from reading give students the
flexibility and capacity to experience text at an added depth. (Keene, Zimmerman)
|
|
6
|
- Spontaneously and purposefully create mental images during and after
reading.
|
|
7
|
- Use images to draw conclusions
- Create distinct and unique interpretation of the text
- Recall details significant to the text
- Adapt their images as they continue to read by incorporating new
information and new interpretations
|
|
8
|
- Understand and articulate how creating images enhances their
comprehension.
- Adapt their images in response to the shared images of other readers.
|
|
9
|
- If kids fail to create sensory images, they suffer a type of
“sensory deprivation.”
- “It’s like walking into a theater and sitting in a seat, but
nothing comes up on the screen.”
- (Zimmerman, Hutchins)
|
|
10
|
|
|
11
|
|
|
12
|
- So many of our students DO NOT have an adequate sensory background of
experience. They have not been exposed to many varieties of smells,
tastes, or touching, nor do they own accompanying words to describe
them.
|
|
13
|
- Have students name words that describe the five senses.
- Bring in fragrances, textures, colors, tastes, sounds.
- Have students identify the samples.
- Discuss the qualities of each object.
- Provide the vocabulary.
|
|
14
|
- Place these objects in different paper bags. Have students identify
objects by feel only. Examples: silk, pinecone, fur,
sandpaper, rubber ball, cooked noodles, screwdriver
- Have students draw pictures of the objects
- Provide words for the adjectives of touch: smooth, squishy, slimy,
metallic, scratchy, bumpy
|
|
15
|
- Make a sensory wheel. Divide a circle into six wedges and then complete
with the following:
- I hear, I feel, I taste, I touch... (Emotionally, I feel)
- Give strips of paper with symbols of the senses. Students read with
partner to find sections of
text where they could visualize using one of the senses.
|
|
16
|
|
|
17
|
- “The barn was very large.
It was very old. It
smelled of hay… It smelled of the perspiration of tired horses and
the wonderful sweet breath of patient cows… It smelled of grain
and of harness dressing...
It was full of all sorts of things you find in barns: ladders,
grindstones, pitch forks...
lawn mowers, snow shovels, ax handles, milk pails, water buckets,
empty grain sacks, and nasty rat traps...” E.B. White
|
|
18
|
- What words in the text helped you form that picture?
- How did your background knowledge add to the details of this mental
picture?
- How have the sensory images changed as you read the story?
- Does creating images help you remember the story?
- Can you explain to the group how seeing the facts in your mind helps you
decide what information is the most important to remember?
|
|
19
|
- Press students for greater elaboration.
- If they see a car:
- What color is the car?
- What type is it?
- How many doors does it have?
- Does the top roll down?
- What sound is the horn?
- What do the seats smell like?
- What coverings do the seats have?
|
|
20
|
- Imagine the scene, characters, events.
- Grayish sky
- Cloudy overhead
- Noisy
- Air smells
- Elaborate
- The sky is so hazy, you can’t see ten feet in front of you.
- The sound of blaring horns and roaring motors are all around.
- The air is so bad, your eyes are burning and red and watery.
|
|
21
|
|
|
22
|
- Ask students to think of a way they could remember the meaning: dictatorship-
- “a ruler with absolute
power and authority”
- Ask students to make a graphic representation that would connect with
their lives personally and facilitate memory of the word.
- Ask students to “act out” the word’s meaning.
|
|
23
|
- Make a visual representation of the problem.
- Scott, a freshman at Michigan State needs to walk from his dorm room
in Wilson Hall to his math class in Wells Hall. Normally, he walks 300
meters east and 400 meters north along the sidewalks, but today he is
running late. He decides to take a shortcut through Baker’s
Park. How many meters long
is Scott’s shortcut?
|
|
24
|
- Pictures, diagrams, computer images, other representation of complex
objects or processes help students understand things they can’t
observe directly.
- For example: Make a model of an atom, DNA, a cell’s structure,
the solar system.
|
|
25
|
- The Woman’s 400 Meters (L. Morrison)
- Skittish,
- they flex knees, drum heels and
- shiver at the starting line
- waiting the gun
- to pour them over the stretch
- like a breaking wave.
- Bang! They’re off
- careening down the lanes,
- each chased by her own bright tiger.
|
|
26
|
|
|
27
|
- Write - Supply with different pens, markers, papers. Write poetry,
newspaper articles, plays
- Act - Supply props, costumes
- Draw/Sketch - Use different media
- Discuss - Supply tape recorder to tape the discussion.
- Make Music - Supply instruments, create a song or rap
|
|
28
|
- All good books are alike in that they are truer than if they had really
happened and after you are finished reading one, you will feel that all
of that happened to you and afterwards it all belongs to you: the good
and the bad, the ecstasy, the remorse and sorrow, the people and the
places and how the weather was.
(Hemingway)
|
|
29
|
|